Издательство: The Metropolitan Museum of Art
Количество страниц: 186
Язык: english
Формат: PDF
Ancient Rome via the Erie Canal: The De Witt Clinton Vases ... Authors Beth Carver Wees Artists Bridport, Hugh (British, 1794–1870) | Eights, James (American, 1798–1882) | Flaxman, John (British, 1755–1826) | Fletcher, Thomas (American, 1787–1866) | Forbes, John W. (American, 1781–1864) | Gardiner, Sidney (American, 1787–1827) | Morse, Samuel F. B. (American, 1791–1872) | Piranesi, Giovanni Battista (Italian, 1720–1778) | Scott, Digby (American, active 1802–1811) | Storr, Paul | Wedgwood, Josiah (British, 1730–1795)
Издательство: The Metropolitan Museum of Art
Количество страниц: 214
Язык: english
Формат: PDF
Adélaïde Labille-Guiard's Pastel Studies of the Mesdames de France. Authors Mary Sprinson de Jesús Artists De La Tour, Maurice Quentin (French, 1704–1788) | Labille-Guiard, Adélaïde (French, 1749–1803)
Издательство: The Metropolitan Museum of Art
Количество страниц: 104
Язык: english
Формат: PDF
Addendum to 'Hubert Robert's Decorations for the Chateau de Bagatelle'. Authors Joseph Baillio Artists Callet, Antoine-Francois | Robert, Hubert (French, 1733–1808)
Автор: Nathalia Brodskaia, Nina Kalitina
Издательство: Parkstone
Год издания: 2011
isbn: 190698123X
Количество страниц: 160
Язык: english
Формат: PDF
For Claude Monet the designation 'impressionist' always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures...
Автор: Victoria Charles
Издательство: Parkstone International
Год издания: 2011
isbn: 978-1-78042-170-4
Количество страниц: 256
Язык: другой
Формат: PDF
Der vielfach talentierte Albrecht Dürer nimmt einen bedeutenden Platz in der Geschichte der deutschen Kunst ein. In einer Zeit, in der die italienischen Künstler die klassischen Techniken der Ölmalerei, Bildhauerei und Architektur zu neuen Höhen perfektionierten und dadurch glaubten, dass sie das wahre Kunstmonopol besäßen, widmete Dürer sich einem eher vernachlässigten Medium, dass nur im Buchdruck zur Anwendung kam.
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